CUBOS

Description Edit Subject, Category, Year Subject Geometric Category Photography Year 2000 Mediums, Materials, Styles Mediums Digital, Color, Vector, Lights, Fiberglass Materials Canvas, Glass, Paper, Plastic, Stainless Steel Styles Abstract Expressionism, Cubism, Dada, Photorealism, Illustration Dimensions 100 W x 161 H x 0.2 D centimeters Keywords possibilities, abstract art, hyperdimensional, contemporary decor, logarithmic, digital, two-dimensional, futurist, geometric, luxury, monochromatic, polygons Description Cube or regular hexahedron is a polyhedron bounded by six congruent square faces. It is one of the so-called Platonic solids.

A cube, in addition to being a hexahedron, can also be classified as parallelepiped, straight and rectangular, (briefly orthohedron 1) since all its faces are square and parallel two by two. It can even be understood as a right prism, whose base is a square and its height is equivalent to the side of the base. The regular hexahedron, like the rest of the Platonic solids, fulfills Euler's Theorem for polyhedra, summarized in the formula C + V = A + 2, since it has six faces, eight vertices and twelve edges (6 + 8 = 12 +2). These works are also offered in limited editions for sizes larger than those presented here. Ask for prices and sizes I recommend sound effects to enhance the effect

STUDY OF MYSTERIUM COSMOGRAPHICUM Kepler

Description Edit Subject, Category, Year Subject Geometric Category Photography Year 2000 Mediums, Materials, Styles Mediums Polaroid, Digital, Black & White, LED, Glass Materials Glass, Paper, Canvas Styles Illustration, Photorealism, Realism, Cubism Dimensions 100 W x 161 H x 0.2 D centimeters Keywords planets, solar, spirit, system, transparent, universe, crystal, diamond, regular polyhedra, god, illumination, mystery Description This study consists of a geometric and mathematically exact 3 D digital creation of Kepler's Platonic solid model of the Solar System from Mysterium Cosmographicum Mysterium Cosmographicum (lit. The Cosmographic Mystery,[a] alternately translated as Cosmic Mystery, The Secret of the World, or some variation) is an astronomy book by the German astronomer Johannes Kepler, published at Tübingen in 1597[1][b] and in a second edition in 1621. Kepler proposed that the distance relationships between the six planets known at that time could be understood in terms of the five Platonic solids, enclosed within a sphere that represented the orbit of Saturn. He realized that regular polygons bound one inscribed and one circumscribed circle at definite ratios, which, he reasoned, might be the geometrical basis of the universe. Kepler began experimenting with 3-dimensional polyhedra. He found that each of the five Platonic solids could be uniquely inscribed and circumscribed by spherical orbs; nesting these solids, each encased in a sphere, within one another would produce six layers, corresponding to the six known planets—Mercury, Venus, Earth, Mars, Jupiter, and Saturn. By ordering the solids correctly—octahedron, icosahedron, dodecahedron, tetrahedron, and cube—Kepler found that the spheres correspond to the relative sizes of each planet's path around the Sun, generally varying from astronomical observations by less than 10%. Kepler thought he had revealed God’s geometrical plan for the universe. Much of Kepler's enthusiasm for the Copernican system stemmed from his theological convictions about the connection between the physical and the spiritual; Kepler never relinquished the Platonist polyhedral-spherist cosmology of Mysterium Cosmographicum. These works are also offered in limited editions for sizes larger than those presented here. Ask for prices and sizes I recommend sound effects to enhance the effect

B5ECTAEDRO

Description Edit Subject, Category, Year Subject Abstract Category Installation Year 2000 Mediums, Materials, Styles Mediums

Digital, Algorithmic Art, LED, Black & White Materials Canvas, Paper, Cardboard, Soft (Yarn, Cotton, Fabric) Styles Photorealism, Modern, Conceptual, Fine Art, Illustration Dimensions 114.3 W x 76.2 H x 0.3 D centimeters Keywords polyhedron, real, 3d, geometrico, fotorrealistico Description I present to you 5 cast octahedron diamonds They are dancing in a sacred fire. An octahedron has 8 equal triangular faces has three axes of symmetry of order four; six axes of symmetry of order two; four axes of symmetry of order three, nine planes of symmetry, three containing each group of coplanar edges, and six perpendicular to each pair of parallel edges; and a center of symmetry The unique center of symmetry feeds a SACRED FIRE that colors all this beautiful jewel. Beautiful jewel created in 3 dimensions in the digital world mathematically and geometrically exact I want you to feel the BEAUTY of this work of art These works are also offered in limited editions for sizes larger than those presented here. Ask for prices and sizes I recommend sound effects to enhance the effect

5 DODECAEDROS ENTRELAZADOS

Description Edit Subject, Category, Year Subject Classical Mythology Category Digital Year 2000 Mediums, Materials, Styles Mediums Black & White, Digital, Photogram, Glass, Algorithmic Art Materials Canvas, Paper, Plastic, Plexiglass, Other Styles Digital Art, Geometric, Artificial Intelligence, Conceptual, Generative Dimensions 100 W x 161 H x 0.2 D centimeters Keywords portal, stellar, unconscious, unknown, dazzling, decor, deep, holder, interiors, luxury, minimalist, mystical Description The regular dodecahedron is a Platonic solid bounded by 12 regular pentagons. It has 20 vertices and 30 edges. The dual of the dodecahedron is the icosahedron. The dodecahedron occurs as cells in the 120-cell and the runcinated 120-cell. A dodecahedron can be augmented by a pentagonal pyramid to produce an augmented dodecahedron (J58), one of the Johnson solids. Adding a second pentagonal pyramid on the opposite side produces the parabiaugmented dodecahedron (J59). If the second pyramid is attached to a face an edge away from the first pyramid, the metabiaugmented dodecahedron (J60) is produced instead. Three augments can be added if they are placed on three mutually non-adjacent pentagons. The result is the triaugmented dodecahedron (J61). Projections In order to be able to identify the dodecahedron in various projections of 4D objects, it is useful to know how it appears from various viewpoints. The following are some of the viewpoints that are commonly encountered: Projection Envelope Description Non-regular dodecagon Vertex-first parallel projection. Non-regular hexagon Edge-first parallel projection. Four of the dodecahedron's faces project onto 4 of the edges of the hexagonal envelope. Regular decagon Face-first parallel projection. Non-regular octagon Parallel projection parallel to top and bottom faces. The top and bottom faces project to the top and bottom edges of the projection envelope. My preference is the gigantography my files support large sizes without losing definition. It is also possible to print on different types of papers, transparencies, materials. The montages can allow the use of lights and other special effects. I recommend sound effects to enhance the effect

DODECAEDRUM

Description Edit Subject, Category, Year Subject Geometric Category Digital Year 2000 Mediums, Materials, Styles Mediums Color, Digital, Photogram, Photo, Glass Materials Canvas, Cardboard, Paper, Soft (Yarn, Cotton, Fabric), Plastic Styles Artificial Intelligence, Conceptual, Digital Art, Symbolism, Generative Dimensions 100 W x 161 H x 0.2 D centimeters Keywords logarithmic, digital, geometric, graphic, Digital Art, Geometric, Artificial Intelligence, Conceptual, Generative, Symbolism, color, light Description A dodecahedron (from the Greek δώδεκα, ‘twelve’ and ἕδρα; ‘seat’, ‘position’, in ‘face’ geometry) is a polyhedron with twelve faces, convex or concave. Their faces must be polygons with eleven sides or less. If the twelve faces of the dodecahedron are regular pentagons, equal to each other, the dodecahedron is convex and is called 'regular', then being one of the so-called Platonic solids. This work can be printed in GIGANTOGRAPHY in very large sizes I recommend sound effects to enhance the effect Recent scientific research has proposed that the Poincaré dodecahedral space would be the shape of the Universe1 2 3 and in 2008 the optimal orientation of the model in the sky was estimated

ISOCAEDRO LETRA INGLES

Subject, Category, Year Subject Science/Technology Category Digital Year 2000 Mediums, Materials, Styles Mediums Digital, Lights, New Media, Robotics, Color Materials Canvas, Cardboard, Paper, Soft (Yarn, Cotton, Fabric), Plastic Styles Digital Art, Geometric, Artificial Intelligence, Conceptual, Generative Dimensions 100 W x 161 H x 0.2 D centimeters Keywords photorealism, culture, fantasy, mythology, nature, Digital Art, Geometric, Artificial Intelligence, Conceptual, Generative, color, Light Description ISOCAEDRUM In ancient symbology, the ICOSAEDRO of 30 edges, 20 triangular faces, 12 vertices ILLUMINATED by COLOR spotlights is the awareness of water and therefore of emotions. In Chinese medicine, the icosahedron is related to the Yang. For esotericists, this polyhedron represents the spirit or the astral. It is a complex volume containing 15 golden rectangles inside The icosahedron, despite being formed by 20 equilateral triangles, can be considered as the union of 12 internal regular pentagons. The intersection of the pentagons with each other originates the 30 edges that make up the icosahedron It has six axes of symmetry of order five, the lines that join the opposite vertices; fifteen axes of symmetry of order two, the lines that join the centers of opposite edges. Fifteen planes of symmetry MOLECULES and living beings, have the shape of an icosahedron and curiously the regular icosahedron is not possible in crystallography I WANT YOU TO THINK THAT IT IS ONE OF THE ONLY 5 PERFECT SOLIDS IN THE WORLD THAT WE CAN DO TODAY IN A 3 D DIGITAL FORM ACCURATELY CONSIDERING IRRATIONAL NUMBERS AND THE SECOND DEGREE PERFECTION NOT ACHIEVED IN ANCIENT TIMES THIS INSPIRED ME TO RECREATE IT DIGITALLY I WANT YOU TO FEEL its beauty and go inside This work can also be offered in GIGANTOGRAPHY in enormous sizes I recommend sound effects to enhance the effect

MI PERFIL INGLES

I was born in Montevideo, Uruguay, in a home of professional parents and currently I live there with my family. My first stable work experiences were in the area of ​​science. My interests and concerns have always been multiple and varied in the intellectual and artistic area. I was captivated by geometry and mathematics. I am very sensitive to beauty in general and, delving into geometry, I found my artistic streak. I compare my life experience with a polyhedron since I have always acted in many dimensions trying to increase and improve its facets. Art, beauty and harmony were my ideals and goals of all my activities. I was inspired by the Renaissance Artists and their research in arithmetic and geometry. At one point in my research I discovered that digital art with the latest 3D math software development allowed me to express what I felt. This allowed me to recreate in a virtual environment the most essential volumes of humanity whose history can be traced today from the Neolithic with a mathematical precision never achieved before and make an art of it and walk in the REAL SEARCH OF TRUTH THROUGH THE BEAUTY . I mean the 5 regular polyhedra All my studies and research related to art are personal and self-taught, supported by the shoulders of giants of my ancestors, driven by my enthusiasm and creativity. The first recognition I received was from those few who in different parts of the world expressed their pleasure for the first images that I spread on facebok, then came a beautiful interview in the magazine peripheral_arteries_art Collections that include his work Kepler's Cosmos - Roberto's Cover Grana both the interior illustration and other forms of illustration related to this volume. including but not limited to advertising. book: Lumen Naturae: Visions of Space in Art and Mathematics Prof. Matilde Marcolli Spring 2019 MIT Press is a university press affiliated with the Massachusetts Institute of Technology in Cambridge, Massachusetts.